New Releases

Flashpoint 320 Monolight, 7.2" Air Lightstand & Glow Softbox -   by Steve Douglas

Flashpoint 3Pod V3AH Aluminum Tripod with Fluid Head -   by Steve Douglas

ProAm's 7" Iris Pro HD LCD Monitor -   by Steve Douglas

What's New in Final Cut Pro 10.1.2 -   Steve Martin & Mark Spencer

SmartSound Sonicfire Pro for FCP XReview by Steve Douglas

ProAm USA Orion DVC210 Crane -   by Steve Douglas

Flashpoint Tabletop Tripods -   by Steve Douglas

Ripple Training's Final Cut Pro 10.1 In-Depth   - Review by Ken Stone

CHV Text FX V2.0Review by Ken Stone

Aerial Videography for Beginners, Part 2  - by David A. Saraceno

Nocturnal Lights M700i Underwater Video/Spotter Light -   by Steve Douglas

Shooting with the Blackmagic Cinema Camera - 2K cinema workflow - Rick Young

Ripple ToolsReview by Ken Stone

Exporting a Still Image from Final Cut Pro X -   Ken Stone

Bit Budget for Compressor and DVD Studio Pro  

 

  ePub Library

Downloadable ePub (iBooks) articles for the iPad, iPhone and iPod Touch.

 

  Final Cut Pro X
What's New in Final Cut Pro 10.1.2 -   Steve Martin & Mark Spencer      NEW

Final Cut Pro - 10.1- A First Look -   Steve Martin & Mark Spencer

Serious Multicam - FCP X -   Bill Davis

Exporting a Still Image from Final Cut Pro X -   Ken Stone

Final Cut Pro X - 10.0.6 - A first Look -   Steve Martin

Merging Events in FCP X -   Ken Stone

Video In Text in FCP X -   Ken Stone

Final Cut Pro X - Tips and Tricks -   Richard Taylor

Retiming in FCP X -   Ken Stone

Final Cut Pro X and the Road to Hell (and back again) -   Rick Young

FCP X Multicam Basics -   Ken Stone

Favorite Titles in Final Cut Pro X -   Richard Taylor

Layered Photoshop Files in Final Cut Pro 10.0.3 (Movie)   - by Steve Martin

Troubleshooting Final Cut Pro X 10.0.3 -   Richard Taylor

Synchronizing Clips in Final Cut Pro X -   Richard Taylor

Final Cut Pro X - Targeted Color Correction (Movie)   - by Mark Spencer

Final Cut Pro X - Transitions -   Ken Stone

Final Cut Pro X - Keywords -   Steve Douglas and Ken Stone

Troubleshooting Final Cut Pro X -   Richard Taylor

Keyframing in FCP X -   Ken Stone

Batch Renaming Clips in FCP X -   Rick Young

Share - Export   Final Cut Pro X -   Ken Stone

Chroma Key   Final Cut Pro X -   Ken Stone

Match Color   Final Cut Pro X -   Ken Stone

Dual Track Audio Editing   Final Cut Pro XRick Young

Basic Media Management   Final Cut Pro XKen Stone

Managing Your FCP X Events & Projects using Disk ImagesSteve Martin

Final Cut Pro X - A first LookSteve Martin

Final Cut Pro X - Rundown Richard Taylor

 

  Final Cut Pro  General
In Search of the NLE or How I Love the Search Tool in FCP 7Gerard Tay      NEW

Final Cut Pro 7 - Making Graphics Broadcast Legal (Movie)   - by Christine Steele for Ripple Training

Up close with the Resolve Gerard Tay

Final Cut Pro 7- Animating Photos in the Motion Tab (Movie)   - by Steve Martin

Exporting WMV from Final Cut Pro -   Ng Chee Teng

Snow Leopard Not To Blame Final Cut Studio 3 Slowdown -   David A. Saraceno

Controlling the Color Wheels in Final Cut and Apple's Color -   Patrick Inhofer

Final Cut Studio 2009 versus Final Cut Studio 2 -   David A. Saraceno

Experimenting with 3D in FCP -   Eric Cosh

Final Cut Pro 7 - The Tools of Speed -   Steve Martin

"Instant" Dailies -   Philip Hodgetts

FCP 7 - Labels, Markers and Subclips -   Ken Stone

FCP 7 Scopes - Vectorscopes -   Ken Stone

What to do with Final Cut Pro XML -   Philip Hodgetts

Final Cut Pro 7 - Scopes - Waveform Monitor -   Ken Stone

Final Cut Pro 7 - SmoothCam -   Ken Stone

Final Cut Pro 7 - Share - MobileMe -   Ken Stone

Final Cut Pro 7 - iChat Theater -   Ken Stone

Final Cut Pro 7 - Share -   Ken Stone

How to install and run Final Cut Studio 3 on a MacBook -   Jon Chappell

Burn Blu-ray playable discs on a Mac SuperDrive. -   Ken Stone

Final Cut Pro 7 First Look - 10 Things I love about Final Cut Pro 7 by Steve Martin. -   Steve Martin

Creating Watermarks in Final Cut Pro -   Steve Douglas

Render File Problems in Final Cut Pro -   Richard Taylor

Guide to Final Cut Pro Internal Tools -   by Jon Chappell

Exporting HDV and XDCAM EX to ProRes 422 with Chapter Markers -   by Ken Stone

Am I Rendering And Viewing At The Best Quality With FCP?  - by Andrew Balis

Final Cut Pro Tutorial - The SmoothCam Filter (Movie)   - by Steve Martin

Exporting Markers from FCP - for use in Compressor and DVD SP  - by Ken Stone

DVCPRO HD Aspect Ratio Bug in FCP 6  - by Frederic Lumiere

When to stay in the native codec of the source, and when to convert to something else.  - by Philip Hodgetts

Trashing Prefs in FCP 3 - 7 and FCP X - OS X  - by Ken Stone

Final Cut Pro 6 - A First Look  - by Steve Martin

Setting Up a Project in Final Cut 6  - by Andrew Balis

Final Cut Pro Tutorial - Saving Favorites (Movie)   - by Steve Martin

What is XML and what does it mean for Final Cut Studio users?  - by Philip Hodgetts

What's New in Final Cut 5.1.2  - by Andrew Balis

MacVideo Magazine For DV FilmMakers and Video Professionals  - by Ken Stone

Compression and Chapter Markers  - by Ken Stone

Open FCP 5 projects in FCP4.5 (4.0) with XML Export/Import   - Nick Meyers

A Guide To Setting Up Your Project In Final Cut 5  - by Andrew Balis

FCP 5 and Soundtrack Pro at LAFCPUG  - by Michael Horton

Final Cut Pro 5 - A First Look  - by Steve Martin

LiveType, SoundTrack and Compressor Quick Reference Guide  - by Darrin Sayewich

The Fundamentals of LiveType  - by Steve Martin

Roll Your Own Keyboard Shortcuts  - by Larry Jordan

How2 Upgrade to Final Cut Pro 4 - the Right Way!  - by Philip Hodgetts

Final Cut Pro 4 - Ripple Report - Sneak Peak  - by Steve Martin

Using the Timecode Log Spreadsheet  - by Scott Taylor

Capture Cards and Codecs  - Marco Solorio

Over/Underexposing Video  - By Dan Coplan

Final Cut Pro for Broadcast? Absolutely!  - By Andy Field

Why are my FCP Productions Darker on my clients PC's?  - By James Diefenderfer and Philip Hodgetts

Porting between Final Cut Pro and Adobe After Effects  - Charles Roberts

Which codecs make great video?  - by Larry Jordan

 
Film Look

Film Look for Video Revisited with Joes Filters and Final Cut Pro 4   - By Graeme Webb

Using Magic Bullet and Anamorphic in your DV project  - By Steven Galvano

Film look Techniques For Video   - By Dan Coplan

Special Film Effects from DV   - Using Eureka Plugins - By Steve Sullivan

Making Video Look Like Film   Article updated August 5, 2001 -  Shawn Bockoven

[Top]

 

  Editing  Click Here

 
  Effects  Click Here

 
  White Papers

Aerial Videography for Beginners, Part 2  - by David A. Saraceno      NEW

Across the Lines: Editing in the Different NLEs  - by Gerard Tay

Aerial Videography for Beginners, Part 1  - by David A. Saraceno

iBooks - A User's Guide  - by Ken Stone

Photoshop Elements 9  - by Ken Stone

Freelancing in the New Economy  - by Lawrence Jordan

Printopia  - by Ken Stone

Final Cut Express and the Middle Child Syndrome  - by Steve Martin

Behind the Scenes of Adobe CS5  - by Steve Douglas

Using the Roto Brush Tool - in Adobe After Effects CS5  - by Steve Douglas

Apple Cinema Tools Overview  - by Dan Brockett

Signed, Sealed and Delivered  - by Steve Douglas     

Diving the Deep - Underwater Videography  - by Steve Douglas

Encoding Video Optimized for the iPad  - by Richard Taylor

An Introduction to Closed Captioning - FCP Workflow  - by Dan Dujnic

FCPUG Road Show in Hungary  - by Gyula Kazari

iMovie 09  - by Ken Stone

Slumdog Millionaire  - Interview by Larry "Lawrence" Jordan

Blu-ray with FCP, Compressor and Encore  - by James Fields

Cheating in Final Cut Express: Better Color Correction   - by Seth Kenlon

One Man Doco Crew in Uganda  - by Matthew Clift

Iditarod: Brutal Conditions, Beautiful Video  - by Celia Booher

Preparing for Online Distribution  - by Philip Hodgetts

DVD-Rs for Media Back-up in FCP  - by Richard Taylor

Create an Alpha Channel   - by Johan Polhem

Encoding for YouTube Using Compressor   - by Brian Gary

HVX 200 - Bare Bones Firewire Import to FCP  - by Ken Stone

The Making of Kenya, the documentary film  - by Steven Galvano

How To Shoot a Network TV Pilot With the Panasonic HVX-200  - by Dan Brockett

Shake - Using Shake to Remove the Shakes (Movie)   - by Steve Martin

Thumbnail Video Index  - By Brian Taylor

Using iWeb to Create Screener Sites (Movie)   - by Brian Gary

iWeb  - By Ken Stone

The Reading Room - Humor

WARM CARDS - White Balancing System  - Review by Bob Gladden and Steve Douglas

Avid versus Final Cut - 2006  - By Patrick Inhofer

SO YOU WANT TO GET YOUR FEET WET - but not your Camcorder   - Steve Douglas

Tips for a Demo Reel that Works   - Bill Davis

MACWORLD EXPO AND FCPUG SUPERMEET - 2006  - by Loren S. Miller

The Art of Feature Film Editing  - by Tony Salgado

Understanding 16:9 in Final Cut Pro  - by Kevin Monahan

Basic Keyframing in Final Cut Express   - by Ken Stone

Producing High Quality Underwater Video   - By Ian Sutherland

The Changeover Challenge: From Avid to Final Cut Pro 4  - by Loren S. Miller

Faking Transparency in Flash Video   -by Elliot Mebane

It's Alive! How to Make Cut-Out Animations in FCP  - by Jude Cotter

How to prepare for that first Video Safari   -by Bruce Robison & Steve Douglas

Nimble Nimbuses and Swift Sunsets - Creating Time Lapse Video  - Ben Bryant

Positioning and Compositioning    Tricky Business - Ian Sutherland

Lighting Below the Waves   - Ian Sutherland

The Taylors speak on Sharks, Film and DV   - An interview edited by Jay Garbose and Charles Roberts

NAB Preview 2005   - by Philip Hodgetts

lafcpug's New Home Or How to Build a Digital Cinema   - by Michael Horton and Chris Meyer

Avid versus Final Cut  - by Patrick Inhofer

The Changeover Challenge: From Avid to Final Cut Pro  - by Loren S. Miller

Underwater Camera Housings   - Ian Sutherland

The Curse of Digital Video - Using Filters   Barry Braverman

'Too Close for Comfort' - The story behind Subt Lemons zero budget music video    - Graeme Webb

A Final Cut Pro user looks at Avid Xpress DV 3.5  - by Ken Stone

Personal Recollections of Charles F. McConathy   - by Michael Horton

NAB 2004   - by Philip Hodgetts

The FCP Community loses a piece of its heart  - by Michael Horton

Video On The Road    Out of Country - By Greg Matty

[Top]

 

  Audio - Soundtrack Pro

 
Zoom H4n Audio recorder and Canon 5D Mark II  - By Graham Law      NEW

Final Cut Studio - 5.1 Surround Monitoring in Soundtrack Pro (Movie)   - by Steve Martin      NEW

Final Cut Studio - Adding SFX & Music to Motion Templates (Movie)   - by Mark Spencer

Mixing 5.1 surround sound with Final Cut Studio 2  - By Kasper Skårhøj

Final Cut Studio Tutorial - Time Stretching Music (Movie)   - by Steve Martin

Final Cut Pro Audio Filter Guide Part 2  - By Jon Chappell

Final Cut Pro Audio Filter Guide Part 1  - By Jon Chappell

Soundtrack Pro - Recording & Editing Multitake Voice Overs (Movie)   - by Steve Martin

Audio In Close Up - Which Lavalier Should I Use?  - by Dan Brockett

As I Hear It - Choosing the Right Microphone  - by Dan Brockett

Low Cost Shotgun Microphone Comparison -   by Dan Brockett

Soundtrack Pro Tutorial - Replace with Ambience (Movie)   - by Steve Martin

Final Cut Pro Tutorial - Subframe Audio Editing (Movie)   - by Steve Martin

Soundtrack Pro Tutorial - AppleScript Batch Processing (Movie)   - by Steve Martin

Soundtrack Pro - Get on the Bus (Movie)   - by Steve Martin

Soundtrack Pro - Using Multiple Outputs (Movie)  - by Steve Martin

Professional Mini-Disc Recorder Review -   Dan Brockett

Working with BWF Audio in FCP  - by Clay Coleman

Audio in Final Cut Pro 4.0 - "For The Working Editor"  - by Dan Brockett

Create your own AIFF converter using Compressor  - By Nick Meyers

Apple Soundtrack - Music To Video Editor's Ears  - by Dan Brockett

Location Sound: The Basics and Beyond  - by Dan Brockett

Let There Be Music - Getting Started With Soundtrack  - by Dan Brockett

Final Cut Pro 4 Audio Essentials - Optimizing Sound For Beginners  - by Dan Brockett

Technique: Exporting Using OMF   - by Larry Jordan

How to do The Blues, Composing in Soundtrack for non-musicians  - by Perry Lawrence

A Beginner's Guide to Final Cut Pro's Audio Filters   - Dan Brockett

Digital Audio in Decibels & Final Cut Pro's Audio Peak Detection Tool   - Ken Stone

Exporting Audio Only, from FCP to a CD   - by Scott Taylor

The Voice Over Tool in FCP 3   - Ken Stone

Working with Audio on the Timeline  - Ken Stone

Audio - From Camera to FCP  - Ken Stone

Integration between Final Cut Pro and Pro Tools Free   - Adam Green

One-Man-Band Audio   - Ben Bryant

What's all the fuss about Soundtrack Pro?  by Mark Spencer

'Too Close for Comfort' - The story behind Subt Lemons zero budget music video    - Graeme Webb

Editing Double-System Sound material  - by Phil Ashby

 
[Top]

 

  HD - HDV - 24P

Exporting HDV and XDCAM EX to ProRes 422 with Chapter Markers -   by Ken Stone

Capturing HDV Into ProRes Via FireWire -   by Andrew Balis

Exporting HDV Video from the Timeline to SD DVD -   by Ken Stone

Impressions of the EX1 -   by Rick Young

Iditarod: Brutal Conditions, Beautiful Video  - by Celia Booher

Outputting Standard Definition in FCP from the Sony XDCam EX1  - by Rick Young

HVX 200 - Bare Bones Firewire Import to FCP  - by Ken Stone

Beyond DV with FCP HD  - by Graeme Nattress

Mas allá de DV con FCP HD  - by Graeme Nattress - Translated by Emilio Blaxqi

Workflow With Panasonic HD And Final Cut Pro HD  - by Andrew Balis

Video Levels in Final Cut Pro   -by Graeme Nattress

When to stay in the native codec of the source, and when to convert to something else.  - by Philip Hodgetts

HDV Editing With FCP HD   - by Ned Soltz

Chroma Sampling: An Investigation  -by Graeme Nattress

Breaking Free of HDV Limitations (Sometimes editing HDV natively just doesn't "cut" it.)  - by Brad Wright

24p in Final Cut Pro HD and the DVX 100  - by Graeme Nattress

Film to Digital Video in Cinema Tools   - by Aureliano Sanchez-Arango

Painting Images with the DVX-100   - by Dan Coplan

DVX-100 Gamma Settings  - By Dan Coplan

Digital Alliteration: Panasonic, Progressive, Pulldown and "Pretty Darn Cool"  - by Charles Roberts

[Top]

 

  DVD Studio Pro - Compressor - iDVD

 
DVD Studio Pro

Burn Blu-ray playable discs on a Mac SuperDrive. -   Ken Stone      NEW

Chapter Marker Lists for DVD SP  - by Tom Stitzer

Setting Up DVD Studio Pro for 16:9  - by Ken Stone

First Play (Auto Play) in DVD SP  - by Ken Stone

Taming the Wild Blu, part 2...  - by Bruce Nazarian

Taming the Wild Blu, yonder...  - by Bruce Nazarian

How to Make a Play All Button in DVD Studio Pro 4  - by Jake Russell

HDV video to SD DVD Using Compressor 3 and DVD SP  - by James Fields

Bit Budget for Compressor and DVD Studio Pro  

Exporting HDV Video from the Timeline to SD DVD -   by Ken Stone

Creating WMV from FCP  - Ng Chee Teng

Compressor Tutorial - QuickTime Components (Movie)   - by Brian Gary

Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie)   - by Steve Martin

Creating Hi-Def DVDs Using 4.7GB Type 5 DVDs   - by Rick Young

Exporting to the iPod Using Compressor   - by Seth Kenlon

Encoding for Windows Media Using Compressor - Flip4Mac   - by Brian Gary

Working with Dual Layer Media   - by Brian Gary

Authoring Dual Layer DVDs in DVD Studio Pro (Movie)   - by Steve Martin

Creating Stories in DVD Studio Pro (Movie)   - by Steve Martin

DVD Studio Pro - Translating FCP titles into DVD subtitles (Movie)   - by Steve Martin

Batch Processing Images in DVD SP and iDVD using Tiger's Automator (Movie)   - Steve Martin

Image to Disk   - by Ken Stone

Creating Subtitles in DVD Studio Pro 4  - by Ken Stone

Stories in DVD Studio Pro  - by Ken Stone

Compression and Chapter Markers  - by Ken Stone

How To Make Copies of DVDs -   by Ken Stone

Setup and Resume Authoring in DVD Studio Pro 3 -   by Alex Alexzander

A Solution to Multiple Language Video in DVD Studio Pro -   by Graeme Nattress

What's New Inside DVD Studio Pro 3 Part 1 - Transitions -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 2 - Alpha Transitions -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 3 - The Graphical View -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 4 -   by Alex Alexzander

DVD SP 3 - New Features -   by Ken Stone.

Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4  - Review by Ken Stone

BitShifting & Bit Extraction Creating a playlist function with DVD SP 2 -   by Alex Alexzander.

Subtitle Buttons Over Video - Creating an Easter Egg with DVD Studio Pro 2 -   by Alex Alexzander

DVD Studio Pro 2 All About Menus -   by Alex Alexzander

First Play - a "Bare Bones" DVD -   by Jeff Warmouth

Subtitles with DVD Studio Pro 2 -   by Alex Alexzander

Advanced Drop Zones with DVD Studio Pro 2 and Photoshop -   by Alex Alexzander

Shapes, Drop-Zones, Styles and Templates for DVD Studio Pro 2 - Creating these Assets in Photoshop. -   by Alex Alexzander

Extracting video from a DVD - Importing video from a DVD into Final Cut Pro -   by Brad Wright

Understanding DVD@CCESS or How to provide a link within DVD Studio Pro 2 to a File -   by Alex Alexander

Authoring with DVD Studio Pro 2 - Basic Mode -   by Ken Stone

How to Create an "Audio Feedback Menu" in DVD Studio Pro 2 -   by Alex Alexander

DVD Studio Pro 2: Late-Breaking News -   Apple Document

How to Build a Basic Still Menu for DVD Studio Pro -   by Darrin Sayewich

Panasonic DMR-T3040 DVD Video Recorder -   Review by Larry Silverberg

How to Build a Basic DVD in DVD Studio  - by Darrin Sayewich

Out of Final Cut Pro and into the Fire of DVD Studio Pro 1   - Jeff Warmouth

Introducing DVD Studio Pro 1.5   Bruce Nazarian

DVD Studio Pro DVD "Afterburner" for Final Cut Pro   Bruce Nazarian

Installing A SuperDrive in a G4   Step by step Instructions with photos   - Vince Hubbell

 
Compressor - AC3

Compressor 4 - Image Sequences (Movie)   - by Steve Martin for Ripple Training      NEW

Encoding Video Optimized for the iPad  - by Richard Taylor

Compressor 3.5 Basics -   Ken Stone

Compressor 3.5 -   Ken Stone

Burn Blu-ray playable discs on a Mac SuperDrive. -   Ken Stone

Using Compressor to Encode HD Content for Vimeo  - by Steve Douglas

Compressor - Enabling multiple Cores  - by Tom Stitzer

Encoding for YouTube Part 3...HD Strikes Back  - by Brian Gary

Converting Frame Rates in Compressor  - by Ken Stone

Preprocessing in Compressor and Episode  - by Philip Hodgetts

Compressor H.264 movies from FCP for the Web  - by Ken Stone

Blu-ray with FCP, Compressor and Encore  - by James Fields

Cinema Craft Encoder MP Plug-In for Compressor 3  - by Brian Gary

Exporting Markers from FCP - for use in Compressor and DVD SP  - by Ken Stone

YouTube Encoding: Locked & Reloaded  - by Brian Gary

Compressors' New Interface in Final Cut Studio 2  - by Ken Stone

Compressor Tutorial - Compression Markers (Movie)  - by Brian Gary

Encoding for YouTube Using Compressor   - by Brian Gary

Building Custom Presets in Compressor 2  - by Ken Stone

Create your own AIFF converter using Compressor  - By Nick Meyers

Using Compressor to encode MPEG-2 -   by Jeff Warmouth

Dolby Digital. Sure it can be done. -   by André Rousseau

Encoding AC3 Audio with A.Pack -   by Jeff Warmouth

 
iDVD

iDVD 7 In iLife 08  - by Ken Stone      NEW

Authoring in iDVD 6  - by Ken Stone

Authoring with iDVD 5 -   by Ken Stone

Authoring with iDVD 4.0.1 -   by Ken Stone

Review - iDVD 3  - Review by Ken Stone

Authoring with iDVD 2 - OS 10.1    - Ken Stone

Extracting video from a DVD - Importing video from a DVD into Final Cut Pro -   by Brad Wright

Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4  - Review by Ken Stone

[Top]

 

  Motion

Motion 5: Five Missing Features -   Mark Spencer - NEW

Motion 5: Top 5 New Features -   Mark Spencer - NEW

Motion 4 - Scaling to Reframe a Scene (Movie)   - by Mark Spencer

Motion 4 - Using Angle of View (Movie)   - by Mark Spencer

Ripple's Designer Motion Templates -   Jerry Hofmann

Final Cut Studio - Adding SFX & Music to Motion Templates (Movie)   - by Mark Spencer

Motion - Animating Photoshop Layers in Z-Space (Movie)   - by Mark Spencer

Ken Burns Redux - Putting Your Photos in Motion (Movie)   - by Mark Spencer

Why Your Beautiful Motion Text Looks Bad in Final Cut Pro -   Mark Spencer

Reflection Effects - Motion 3 (Movie)   - by Mark Spencer

Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie)   - by Steve Martin

Using the Sequence Replicator Behavior -   By: Mark Spencer

Motion 2 - Replicator and Animating Replicator -   By: Ken Stone

How to Create an Alpha Mask Using Motion 2 -   By: Steve Douglas

Working with Keyframes in Motion, Part 1 Creating and Manipulating Keyframes -   By: Mark Spencer

Motion - Basic Audio Tools -   By: Ken Stone

Motion - Using Color Mode -   By: Ken Stone

Particles in Motion -   By: Steve Martin

Motion - Under the Hood Real Time playback - Firewire Output - Pro Apps Integration -   By: Ken Stone

Motion - Text moving in a Circle Real time motion graphics -   By: Ken Stone

Motion, Video Cards, RAM, and Processor Speed -   By: David Saraceno

Getting Around in Motion -   By: Mark Spencer

Motion to NTSC via FireWire: Previewing your Motion projects through FireWire VTR -   By: Alex Alexzander.

Motion Compatibility Checker -   Technical Specifications for Motion

[Top]

 

  Color

Getting In and Out of Color -   Andrew Balis      NEW

Controlling the Color Wheels in Final Cut and Apple's Color -   Patrick Inhofer

Color Workflows With Different Types of Sources -   Andrew Balis

Introduction to COLOR -   Seth Kenlon

Controlling Apple's Color - EclipseCX Control Surface -   Patrick Inhofer

Vignettes in Color   - by Ken Stone

Matting and Color Correction in COLOR   - by Seth Kenlon

Color Tutorial - Working with Grades (Movie)  - by Andrew Balis

Creating Node Trees in Color - FC Studio 2   - by Wendy Gribble

[Top]

 

  QuickTime - Mac OS - Utilities

Top Ten Most Misunderstood Things About the DVD Format  - by Brad Wright      NEW

Printopia  - by Ken Stone      NEW

Digital RebellionKen Stone

Exporting WMV from Final Cut Pro -   Ng Chee Teng

Snow Leopard Not To Blame Final Cut Studio 3 Slowdown -   David A. Saraceno

Reinstall OS X & Final Cut Studio The Right Way - Part 3 -   By David A. Saraceno

Reinstall OS X & Final Cut Studio The Right Way - Part 2 -   By David A. Saraceno

Reinstall OS X & Final Cut Studio The Right Way - Part 1 -   By David A. Saraceno

Formatting a Hard Drive for the Mac -   By Ken Stone

Sony - XD Formats and Drivers -   By Ken Stone

App Zapper - App Delete  - by Steve Douglas

Taming the Wild Blu, part 2...  - by Bruce Nazarian

Taming the Wild Blu, yonder...  - by Bruce Nazarian

Preprocessing in Compressor and Episode  - by Philip Hodgetts

Compressor H.264 movies from FCP for the Web  - by Ken Stone

QuickTime H.264 movies from FCP for the Web  - by Ken Stone

QuickTime Timecode Display  - by Brian Gary

Formatting & Partitioning a Hard Drive in OS X - Tiger and Leopard   - by Ken Stone      Updated for Leopard

Burning Data CDs and DVDs   - by Ken Stone      Updated for Leopard

How To Make Copies of DVDs -   by Ken Stone      Updated for Leopard

DVD-Rs for Media Back-up in FCP  - by Richard Taylor

Video To iPod   - by Ken Stone

Image to Disk   - by Ken Stone

Trashing Prefs in FCP 3 - 7 and FCP X - OS X   - by Ken Stone

Restoring A Corrupt Final Cut Pro Project  - Scott Barbour

QuickTime Pro - QuickTime movies from FCP - For the Web.   - by Ken Stone

Multisession Burns Using Tiger's Disk Utility   -by Ken Stone

Upgrading to Tiger   - by Ken Stone

Partitioning a Hard Drive in OS X - Jaguar  - By Ken Stone

Final Cut Pro v.4.0 for Mac OS X an ambitious beginning...  - by Charles Roberts

Carbon Copy Cloner - OS X - Jaguar - Cloning your boot drive  - By Ken Stone

Troubleshooting Your Final Cut Pro System  - by Larry Jordan

Care and Feeding of Panther - OS X Drive Maintenance  - by Charles Roberts

Target Disk Mode (TDM) Networking with FireWire - Sort of  - by Ben Bryant

A Moviemakers Guide to "Wired" QuickTime   - Clifford VanMeter

When Good Apps Go Bad   - by Larry Jordan

Migrating to the PowerMac G5 and OSX Panther   - by Ned Soltz

File Journaling in OSX 10.3 (Panther) Explained   - Larry Jordan

Care and Feeding of Jaguar - OS X Drive Maintenance  - by Charles Roberts

[Top]

 

Final Cut Pro Settings  Versions 1.2.5 and older - Ken Stone

 

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