New Releases

Cinema Craft Encoder MP Plug-In for Compressor 3  - by Brian Gary

Ken Burns Redux - Putting Your Photos in Motion (Movie)   - by Mark Spencer

Real World Video Compression   - Review by Steve Douglas

Exporting Markers from FCP - for use in Compressor and DVD SP  - by Ken Stone

YouTube Encoding: Locked & Reloaded  - by Brian Gary

Impressions of the EX1 -   by Rick Young

Audio In Close Up - Which Lavalier Should I Use?  - by Dan Brockett

Beyond the Basics by Michael Wohl   - Review by Steve Douglas

Up and Running in Compressor 3by Ken Stone

Sound Ideas 'Underwater' Seriesby Steve Douglas

Compressor Tutorial - Compression Markers (Movie)  - by Brian Gary

Camhandle -   by David A. Saraceno

FloLight LED500 Light -   by David A. Saraceno

Outputting Standard Definition in FCP from the Sony XDCam EX1  - by Rick Young

As I Hear It - Choosing the Right Microphone  - by Dan Brockett

Bit Budget for Compressor and DVD Studio Pro  

 

  Final Cut Pro  General
Exporting Markers from FCP - for use in Compressor and DVD SP  - by Ken Stone      NEW

DVCPRO HD Aspect Ratio Bug in FCP 6  - by Frederic Lumiere      NEW

When to stay in the native codec of the source, and when to convert to something else.  - by Philip Hodgetts

Final Cut Pro 6 - A First Look  - by Steve Martin

Setting Up a Project in Final Cut 6  - by Andrew Balis

Final Cut Pro Tutorial - Saving Favorites (Movie)   - by Steve Martin

What is XML and what does it mean for Final Cut Studio users?  - by Philip Hodgetts

What's New in Final Cut 5.1.2  - by Andrew Balis

MacVideo Magazine For DV FilmMakers and Video Professionals  - by Ken Stone

Compression and Chapter Markers  - by Ken Stone

Open FCP 5 projects in FCP4.5 (4.0) with XML Export/Import   - Nick Meyers

A Guide To Setting Up Your Project In Final Cut 5  - by Andrew Balis

FCP 5 and Soundtrack Pro at LAFCPUG  - by Michael Horton

Final Cut Pro 5 - A First Look  - by Steve Martin

LiveType, SoundTrack and Compressor Quick Reference Guide  - by Darrin Sayewich

The Fundamentals of LiveType  - by Steve Martin

Roll Your Own Keyboard Shortcuts  - by Larry Jordan

How2 Upgrade to Final Cut Pro 4 - the Right Way!  - by Philip Hodgetts

Final Cut Pro 4 - Ripple Report - Sneak Peak  - by Steve Martin

Using the Timecode Log Spreadsheet  - by Scott Taylor

Capture Cards and Codecs  - Marco Solorio

Over/Underexposing Video  - By Dan Coplan

Final Cut Pro for Broadcast? Absolutely!  - By Andy Field

Why are my FCP Productions Darker on my clients PC's?  - By James Diefenderfer and Philip Hodgetts

Porting between Final Cut Pro and Adobe After Effects  - Charles Roberts

Which codecs make great video?  - by Larry Jordan

 
Film Look

Film Look for Video Revisited with Joes Filters and Final Cut Pro 4   - By Graeme Webb

Using Magic Bullet and Anamorphic in your DV project  - By Steven Galvano

Film look Techniques For Video   - By Dan Coplan

Special Film Effects from DV   - Using Eureka Plugins - By Steve Sullivan

Making Video Look Like Film   Article updated August 5, 2001 -  Shawn Bockoven

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  Editing  Click Here

 
  Effects  Click Here

 
  White Papers

One Man Doco Crew in Uganda  - by Matthew Clift      NEW

Iditarod: Brutal Conditions, Beautiful Video  - by Celia Booher      NEW

Preparing for Online Distribution  - by Philip Hodgetts      NEW

DVD-Rs for Media Back-up in FCP  - by Richard Taylor

Create an Alpha Channel   - by Johan Polhem

Encoding for YouTube Using Compressor   - by Brian Gary

HVX 200 - Bare Bones Firewire Import to FCP  - by Ken Stone

The Making of Kenya, the documentary film  - by Steven Galvano

How To Shoot a Network TV Pilot With the Panasonic HVX-200  - by Dan Brockett

Shake - Using Shake to Remove the Shakes (Movie)   - by Steve Martin

Thumbnail Video Index  - By Brian Taylor

Using iWeb to Create Screener Sites (Movie)   - by Brian Gary

iWeb  - By Ken Stone

The Reading Room - Humor

WARM CARDS - White Balancing System  - Review by Bob Gladden and Steve Douglas

Avid versus Final Cut - 2006  - By Patrick Inhofer

SO YOU WANT TO GET YOUR FEET WET - but not your Camcorder   - Steve Douglas

Tips for a Demo Reel that Works   - Bill Davis

MACWORLD EXPO AND FCPUG SUPERMEET - 2006  - by Loren S. Miller

The Art of Feature Film Editing  - by Tony Salgado

Understanding 16:9 in Final Cut Pro  - by Kevin Monahan

Basic Keyframing in Final Cut Express   - by Ken Stone

Producing High Quality Underwater Video   - By Ian Sutherland

The Changeover Challenge: From Avid to Final Cut Pro 4  - by Loren S. Miller

Faking Transparency in Flash Video   -by Elliot Mebane

It's Alive! How to Make Cut-Out Animations in FCP  - by Jude Cotter

How to prepare for that first Video Safari   -by Bruce Robison & Steve Douglas

Nimble Nimbuses and Swift Sunsets - Creating Time Lapse Video  - Ben Bryant

Positioning and Compositioning    Tricky Business - Ian Sutherland

Lighting Below the Waves   - Ian Sutherland

The Taylors speak on Sharks, Film and DV   - An interview edited by Jay Garbose and Charles Roberts

NAB Preview 2005   - by Philip Hodgetts

lafcpug's New Home Or How to Build a Digital Cinema   - by Michael Horton and Chris Meyer

Avid versus Final Cut  - by Patrick Inhofer

The Changeover Challenge: From Avid to Final Cut Pro  - by Loren S. Miller

Underwater Camera Housings   - Ian Sutherland

The Curse of Digital Video - Using Filters   Barry Braverman

'Too Close for Comfort' - The story behind Subt Lemons zero budget music video    - Graeme Webb

A Final Cut Pro user looks at Avid Xpress DV 3.5  - by Ken Stone

Personal Recollections of Charles F. McConathy   - by Michael Horton

NAB 2004   - by Philip Hodgetts

The FCP Community loses a piece of its heart  - by Michael Horton

Video On The Road    Out of Country - By Greg Matty

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  Audio

 
Audio In Close Up - Which Lavalier Should I Use?  - by Dan Brockett      NEW

As I Hear It - Choosing the Right Microphone  - by Dan Brockett      NEW

Soundtrack Pro Tutorial - Replace with Ambience (Movie)   - by Steve Martin

Final Cut Pro Tutorial - Subframe Audio Editing (Movie)   - by Steve Martin

Soundtrack Pro Tutorial - AppleScript Batch Processing (Movie)   - by Steve Martin

Soundtrack Pro - Get on the Bus (Movie)   - by Steve Martin

Soundtrack Pro - Using Multiple Outputs (Movie)  - by Steve Martin

Working with BWF Audio in FCP  - by Clay Coleman

Audio in Final Cut Pro 4.0 - "For The Working Editor"  - by Dan Brockett

Create your own AIFF converter using Compressor  - By Nick Meyers

Apple Soundtrack - Music To Video Editor's Ears  - by Dan Brockett

Location Sound: The Basics and Beyond  - by Dan Brockett

Let There Be Music - Getting Started With Soundtrack  - by Dan Brockett

Final Cut Pro 4 Audio Essentials - Optimizing Sound For Beginners  - by Dan Brockett

Technique: Exporting Using OMF   - by Larry Jordan

How to do The Blues, Composing in Soundtrack for non-musicians  - by Perry Lawrence

A Beginner's Guide to Final Cut Pro's Audio Filters   - Dan Brockett

Digital Audio in Decibels & Final Cut Pro's Audio Peak Detection Tool   - Ken Stone

Exporting Audio Only, from FCP to a CD   - by Scott Taylor

The Voice Over Tool in FCP 3   - Ken Stone

Working with Audio on the Timeline  - Ken Stone

Audio - From Camera to FCP  - Ken Stone

Integration between Final Cut Pro and Pro Tools Free   - Adam Green

One-Man-Band Audio   - Ben Bryant

What's all the fuss about Soundtrack Pro?  by Mark Spencer

'Too Close for Comfort' - The story behind Subt Lemons zero budget music video    - Graeme Webb

Editing Double-System Sound material  - by Phil Ashby

 
[Top]

 

  HD - HDV - 24P

Impressions of the EX1 -   by Rick Young      NEW

Iditarod: Brutal Conditions, Beautiful Video  - by Celia Booher      NEW

Outputting Standard Definition in FCP from the Sony XDCam EX1  - by Rick Young      NEW

HVX 200 - Bare Bones Firewire Import to FCP  - by Ken Stone

Beyond DV with FCP HD  - by Graeme Nattress

Mas allá de DV con FCP HD  - by Graeme Nattress - Translated by Emilio Blaxqi

Workflow With Panasonic HD And Final Cut Pro HD  - by Andrew Balis

Video Levels in Final Cut Pro   -by Graeme Nattress

HDV Editing With FCP HD   - by Ned Soltz

Chroma Sampling: An Investigation  -by Graeme Nattress

Breaking Free of HDV Limitations (Sometimes editing HDV natively just doesn't "cut" it.)  - by Brad Wright

24p in Final Cut Pro HD and the DVX 100  - by Graeme Nattress

Film to Digital Video in Cinema Tools   - by Aureliano Sanchez-Arango

Painting Images with the DVX-100   - by Dan Coplan

DVX-100 Gamma Settings  - By Dan Coplan

Digital Alliteration: Panasonic, Progressive, Pulldown and "Pretty Darn Cool"  - by Charles Roberts

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  DVD Studio Pro - Compressor - iDVD

 
DVD Studio Pro

HDV video to SD DVD Using Compressor 3 and DVD SP  - by James Fields      NEW

Bit Budget for Compressor and DVD Studio Pro        NEW

Creating WMV from FCP  - Ng Chee Teng

Compressor Tutorial - QuickTime Components (Movie)   - by Brian Gary

Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie)   - by Steve Martin

Creating Hi-Def DVDs Using 4.7GB Type 5 DVDs   - by Rick Young

Exporting to the iPod Using Compressor   - by Seth Kenlon

Encoding for Windows Media Using Compressor - Flip4Mac   - by Brian Gary

Working with Dual Layer Media   - by Brian Gary

Authoring Dual Layer DVDs in DVD Studio Pro (Movie)   - by Steve Martin

Creating Stories in DVD Studio Pro (Movie)   - by Steve Martin

DVD Studio Pro - Translating FCP titles into DVD subtitles (Movie)   - by Steve Martin

Batch Processing Images in DVD SP and iDVD using Tiger's Automator (Movie)   - Steve Martin

Image to Disk   - by Ken Stone

Creating Subtitles in DVD Studio Pro 4  - by Ken Stone

Stories in DVD Studio Pro  - by Ken Stone

Compression and Chapter Markers  - by Ken Stone

How To Make Copies of DVDs -   by Ken Stone

Setup and Resume Authoring in DVD Studio Pro 3 -   by Alex Alexzander

A Solution to Multiple Language Video in DVD Studio Pro -   by Graeme Nattress

What's New Inside DVD Studio Pro 3 Part 1 - Transitions -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 2 - Alpha Transitions -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 3 - The Graphical View -   by Alex Alexzander

What's New Inside DVD Studio Pro 3 Part 4 -   by Alex Alexzander

DVD SP 3 - New Features -   by Ken Stone.

Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4  - Review by Ken Stone

BitShifting & Bit Extraction Creating a playlist function with DVD SP 2 -   by Alex Alexzander.

Subtitle Buttons Over Video - Creating an Easter Egg with DVD Studio Pro 2 -   by Alex Alexzander

DVD Studio Pro 2 All About Menus -   by Alex Alexzander

First Play - a "Bare Bones" DVD -   by Jeff Warmouth

Subtitles with DVD Studio Pro 2 -   by Alex Alexzander

Advanced Drop Zones with DVD Studio Pro 2 and Photoshop -   by Alex Alexzander

Shapes, Drop-Zones, Styles and Templates for DVD Studio Pro 2 - Creating these Assets in Photoshop. -   by Alex Alexzander

Extracting video from a DVD - Importing video from a DVD into Final Cut Pro -   by Brad Wright

Understanding DVD@CCESS or How to provide a link within DVD Studio Pro 2 to a File -   by Alex Alexander

Authoring with DVD Studio Pro 2 - Basic Mode -   by Ken Stone

How to Create an "Audio Feedback Menu" in DVD Studio Pro 2 -   by Alex Alexander

DVD Studio Pro 2: Late-Breaking News -   Apple Document

How to Build a Basic Still Menu for DVD Studio Pro -   by Darrin Sayewich

Panasonic DMR-T3040 DVD Video Recorder -   Review by Larry Silverberg

How to Build a Basic DVD in DVD Studio  - by Darrin Sayewich

Out of Final Cut Pro and into the Fire of DVD Studio Pro 1   - Jeff Warmouth

Introducing DVD Studio Pro 1.5   Bruce Nazarian

DVD Studio Pro DVD "Afterburner" for Final Cut Pro   Bruce Nazarian

Installing A SuperDrive in a G4   Step by step Instructions with photos   - Vince Hubbell

 
Compressor - AC3

Cinema Craft Encoder MP Plug-In for Compressor 3  - by Brian Gary      NEW

Exporting Markers from FCP - for use in Compressor and DVD SP  - by Ken Stone      NEW

YouTube Encoding: Locked & Reloaded  - by Brian Gary      NEW

Compressors' New Interface in Final Cut Studio 2  - by Ken Stone

Compressor Tutorial - Compression Markers (Movie)  - by Brian Gary

Encoding for YouTube Using Compressor   - by Brian Gary

Building Custom Presets in Compressor 2  - by Ken Stone

Create your own AIFF converter using Compressor  - By Nick Meyers

Using Compressor to encode MPEG-2 -   by Jeff Warmouth

Dolby Digital. Sure it can be done. -   by André Rousseau

Encoding AC3 Audio with A.Pack -   by Jeff Warmouth

 
iDVD

iDVD 7 In iLife 08  - by Ken Stone      NEW

Authoring in iDVD 6  - by Ken Stone

Authoring with iDVD 5 -   by Ken Stone

Authoring with iDVD 4.0.1 -   by Ken Stone

Review - iDVD 3  - Review by Ken Stone

Authoring with iDVD 2 - OS 10.1    - Ken Stone

Extracting video from a DVD - Importing video from a DVD into Final Cut Pro -   by Brad Wright

Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4  - Review by Ken Stone

[Top]

 

  Motion

Ken Burns Redux - Putting Your Photos in Motion (Movie)   - by Mark Spencer      NEW

Why Your Beautiful Motion Text Looks Bad in Final Cut Pro -   Mark Spencer      NEW

Reflection Effects - Motion 3 (Movie)   - by Mark Spencer

Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie)   - by Steve Martin

Using the Sequence Replicator Behavior -   By: Mark Spencer

Motion 2 - Replicator and Animating Replicator -   By: Ken Stone

How to Create an Alpha Mask Using Motion 2 -   By: Steve Douglas

Working with Keyframes in Motion, Part 1 Creating and Manipulating Keyframes -   By: Mark Spencer

Motion - Basic Audio Tools -   By: Ken Stone

Motion - Using Color Mode -   By: Ken Stone

Particles in Motion -   By: Steve Martin

Motion - Under the Hood Real Time playback - Firewire Output - Pro Apps Integration -   By: Ken Stone

Motion - Text moving in a Circle Real time motion graphics -   By: Ken Stone

Motion, Video Cards, RAM, and Processor Speed -   By: David Saraceno

Getting Around in Motion -   By: Mark Spencer

Motion to NTSC via FireWire: Previewing your Motion projects through FireWire VTR -   By: Alex Alexzander.

Motion Knowledge Base documents -   Apple TILs

Motion Compatibility Checker -   Technical Specifications for Motion

[Top]

 

  Color

Introduction to COLOR -   Seth Kenlon      NEW

Controlling Apple's Color - EclipseCX Control Surface -   Patrick Inhofer      NEW

Vignettes in Color   - by Ken Stone      NEW

Matting and Color Correction in COLOR   - by Seth Kenlon

Color Tutorial - Working with Grades (Movie)  - by Andrew Balis

Creating Node Trees in Color - FC Studio 2   - by Wendy Gribble

[Top]

 

  QuickTime - Mac OS - Utilities

QuickTime Timecode Display  - by Brian Gary      New

Formatting & Partitioning a Hard Drive in OS X - Tiger and Leopard   - by Ken Stone      Updated for Leopard

Burning Data CDs and DVDs   - by Ken Stone      Updated for Leopard

How To Make Copies of DVDs -   by Ken Stone      Updated for Leopard

DVD-Rs for Media Back-up in FCP  - by Richard Taylor

Video To iPod   - by Ken Stone

Image to Disk   - by Ken Stone

Trashing Prefs in FCP 3, 4, 5 and 6 - OS X   - by Ken Stone

Restoring A Corrupt Final Cut Pro Project  - Scott Barbour

QuickTime Pro - QuickTime movies from FCP - For the Web.   - by Ken Stone

Multisession Burns Using Tiger's Disk Utility   -by Ken Stone

Upgrading to Tiger   - by Ken Stone

Partitioning a Hard Drive in OS X - Jaguar  - By Ken Stone

Final Cut Pro v.4.0 for Mac OS X an ambitious beginning...  - by Charles Roberts

Carbon Copy Cloner - OS X - Jaguar - Cloning your boot drive  - By Ken Stone